Friday, November 21, 2008

Fan Artists of the 2000's

I'm going to be finishing off a few more categories of Hugo winners in the next week or two so I will start with the two winners for Fan Artist who I have not mentioned yet.

Something I've been struck by as I went through this is how difficult it has been to find samples of most of the fan artists' work on the Internet. Even with the recent ones I have had trouble finding anything beyond a random sampling, the occasional fanzine cover, and a mention as a con attendee.

Sue Mason
2003 and 2005 Hugo Winner for Best Fan Artist

There are multiple artists by the name of Sue Mason which gave me a bit more trouble than usual in hunting her down. I did find cartoons drawn for different sources but she maintains a website for selling her custom pyrographic, wood burning, art. There's several interesting samples of her work at the site and it is worth taking a look at.

Frank Wu
2004, 2006, and 2007 Hugo Winner for Best Fan Artist



There is a very extensive gallery of Wu's work online. In addition to that there is, unlike the vast majority of fan artist, a book of his art available.

Monday, November 17, 2008

Review - Terraforming Earth, "Millennium Babies", and "Different Kinds of Darkness"

Bob Eggleton
2001 Hugo Winner for Best Professional Artist


If you're curious about my nanowrimo count at the moment it stands at 30026. I'm on the downhill slope now.

In 2001 the actual novella winner was "The Ultimate Earth" which is only available in the novel Terraforming Earth. The novelette "Millennium Babies" was in the single author anthology Stories for an Enchanted Afternoon. Finally "Different Kinds of Darkness" was found in the massive brick anthology The Hard SF Renaissance.

Terraforming Earth
by Jack Williamson

An expansion of the 2001 Hugo Winning and 2001 Nebula Winning Novella "The Ultimate Earth"


Like "...Where Angels Fear to Tread" before the novella "The Ultimate Earth" was printed once in a magazine and has never been collected since. It was, however, integrated into a novel. And once more since I cannot be sure of what changes were made I am briefly reviewing the entire book instead of just the section titled "The Ultimate Earth".

Also this is very much a tribute award. Jack Williamson published his first story in 1928 and remained active with science fiction until his death in 2006. Williamson's only previous award was a Hugo for his memoir Wonder's Child, so this was a Hugo and Nebula more for his body of work and longevity rather than the quality of the story.

Any yet Terraforming Earth wasn't bad. It started with an great premise and up to roughly a third of the way through the book I was impressed. Then the payoff didn't quite come but the book shifted to a pulpy tone that was still entertaining. Finally it concluded weakly but not terribly. The effect as a whole is disappointing but there are some things worth looking at.

In the not too distant future an eccentric billionaire devises a plan to insure the survival of the human race should an extinction event occur. He creates a base on the moon that can function indefinitely and begins storing genetic samples there. Before it is finished, however, an asteroid miles across enters the solar system from interstellar space on a trajectory toward earth that hides it until there is only a few days left. A handful of people escape to the moonbase where they prepare to clone themselves so that a new generation would be born over and over at moments to guide the reconstruction of the Earth.

Terraforming Earth follows nearly a dozen of these generations across millions of years. They're born and witness the earth at transition points, find that the Earth was murdered, and deal with their personal conflicts. The result is a set of linked stories that move quickly from period to period eventually leading to a pulp adventure where the clones face an evil empire of their descendants and a Cambellian story of the apotheosis of humanity.

As I mentioned I was taken with the premise from the beginning. The idea of generations of identical humans being born on the moon and the variations in their behavior through their unique experiences was intriguing to me. Coupling that with a plot of restoring the earth to life across millenia and I was hooked. Williamson follows on this for a little while but eventually things fall into a simple pattern. One person's clone consistently betrays the colony, they never attempt major variations in teaching or cloning multiple copies of the same person (something that always leads to a gender imbalance that affects the clones). No one lives to old age studying the effects and refining their methodology for better or worse. By the time it changes to a more pulpy adventure story it was a welcome change of pace even when it was not as strong as the original concept.

The characters Williamson creates are painted in broad strokes but it was effective for the purposes of displaying the similarities and differences when there were a dozen characters that were genetically identical. It did bother me that female characters were downplayed, there were two female scientists among the clones who do little more than hang off of their chosen lover.

By the time it was over I disappointed that the premise that I was enjoying had been lost for something weaker. If you're interested in the concept of generations of terraforming then you may find something worth reading about in Terraforming Earth.

"Millennium Babies"
by Krsitine Kathryn Rusch

2001 Hugo Winner for Best Novelette


Now for another chapter in the "It just bugs me" saga: it just bugs me when authors pander to their audience by creating characters who are Luddites for the period when the story is written. The most common example of this are people in a future where data readers will be a more efficient option going on about how great normal books are. Late twentieth century pop culture lives on through them even though the rest of the world has changed. Occasionally it goes so far that the future culture is presented as something ridiculous so that the Luddite main character that the reader is to identify with is clearly "right". It goes without saying that stories that present science fiction fans as better than other characters fall firmly under this (though that's a sin that "Millennium Babies" didn't commit). It's just pandering to the audience and being pandered to gets on my nerves quickly.

Thousands of people around the world got pregnant in March of 1999 with the intention of trying to have the first child born on January 1, 2000. Thirty years later the daughter of one of those women has come to resent her mother for considering the daughter a failure due to being born at 12:05 am instead of 12:01. A psychology professor interested in the consequence of being a failure from the moment of birth brings hundreds of these children together for a study and (for no conceivable reason) to work out their parental issues.

This story I hated. It's built on the premise that there's hundreds of people who have been wallowing in self-pity due to the time of their birth. Not just how their parents treated but them they've been obsessing over the exact second they left their mother's womb for thirty years. And they're suppose to be sympathetic rather than driving me to want to slap all of them senseless. And for no good reason as part of the psychological experiment the psychologist makes a minimal effort that somehow makes them get over it instantly.

It's trite at best. The story and characters are annoying and there isn't a thing here that was worth reading about. Actively avoid this story.

"Different Kinds of Darkness"
by David Langford

2001 Hugo Winner for Best Short Story


Children at a school live with mysterious patches of darkness which no light penetrates. Every unenclosed outdoor area and many sections of their school are filled with this gloom. A group of them find an inkblot like pattern behind the school's photocopier that cause anyone who views it to have muscle spasms and pain. They form a club daring each other to look at the pattern for longer and longer periods.

Langford isn't the first one two write about the concept of certain images being harmful to the human mind but he used it very effectively in "Different Kinds of Darkness". Children not recognizing the danger and using it as a plaything is exactly the kind of reaction I would expect in the situation. While I did not find the conclusion of his plot to be as effective I still enjoyed the story.

Saturday, November 15, 2008

The Dramatic Presentation Hugo In Review

The Hugo award has for dramatic presentation has been awarded exactly fifty times. Once it was awarded for an outstanding movie and that award became the dramatic presentation category to include other media.

So having collected all of the films and television shows that have won I have to say it's an impressive list:

1958 - The Incredible Shrinking Man
1960 - The Twilight Zone
1961 - The Twilight Zone
1962 - The Twilight Zone
1965 - Dr. Strangelove
1967 - Star Trek: "The Menagerie"
1968 - Star Trek: "City on the Edge of Forever"
1969 - 2001: A Space Odyssey
1970 - News coverage of Apollo XI
1972 - A Clockwork Orange
1973 - Slaughterhouse-Five
1974 - Sleeper
1975 - Young Frankenstein
1976 - A Boy and His Dog
1978 - Star Wars
1979 - Superman
1980 - Alien
1981 - The Empire Strikes Back
1982 - Raiders of the Lost Ark
1983 - Blade Runner
1984 - Return of the Jedi
1985 - 2010
1986 - Back to the Future
1987 - Aliens
1988 - The Princess Bride
1989 - Who Framed Roger Rabbit
1990 - Indiana Jones and the Last Crusade
1991 - Edward Scissorhands
1992 - Terminator 2
1993 - Star Trek: The Next Generation: "The Inner Light"
1994 - Jurassic Park
1995 - Star Trek: The Next Generation: "All Good Things"
1996 - Babylon 5: "The Coming of Shadows"
1997 - Babylon 5: "Severed Dreams"
1998 - Contact
1999 - The Truman Show
2000 - Galaxy Quest
2001 - Crouching Tiger, Hidden Dragon
2002 - The Lord of the Rings: The Fellowship of the Ring
2003 - The Lord of the Rings: The Two Towers and Buffy the Vampire Slayer: "Conversations with Dead People"
2004 - The Lord of the Rings: The Return of the King and Gollum's Acceptance Speech at the 2003 MTV Movie Awards
2005 - The Incredibles and Battlestar Galactica: "33"
2006 - Serenity and Doctor Who: "The Empty Child" and "The Doctor Dances"
2007 - Pan's Labyrinth and Doctor Who: "Girl in the Fireplace"
2008 - Stardust and Doctor Who: "Blink"

For the most part they're safe choices but that isn't a bad thing since most of the movies are reasonably good. I might not think they're the best film of that year for the most part but I don't hate them.

There's really only six awards on the list where I think a bad decision was made and most of them took the Hugo because of their connection to something better that was beloved by fandom. The six I don't care for are:
  • Slaughterhouse-Five (from a much superior Vonnegut book)
  • A Boy and His Dog (from a better Harlan Ellison novella)
  • 2010 (sequel to 2001)
  • Contact (from the Carl Sagan novel and released shortly after his death)
  • Buffy the Vampire Slayer: "Conversations with Dead People" (the introduction of the short form dramatic presentation Hugo opened the door to television again but years after the show actually deserved to win)
  • Gollum's Acceptance Speech at the 2003 MTV Movie Awards
Thanks to the acceptance speech Hugo Peter Jackson is the most honored creator in Hugo history with four awards for his efforts in adapting The Lord of the Rings. George Lucas (the original Star Wars trilogy), Steven Moffat (writer of the Dr. Who episodes that have won), Rod Serling (Twilight Zone), Robert Zemekis (Back to the Future, Roger Rabbit, and Contact), Stanley Kubrick (Dr. Strangelove, 2001, and Clockwork Orange) and Stephen Speilburg (Raiders, Last Crusade, and Jurrasic Park) tie at three Hugos each. There's so many people tied at two Hugos that I can't list them all, but I will note Gene Roddenberry who died before the winning Next Generation episodes were made.

Friday, November 14, 2008

Review - Stardust

Stardust
2008 Hugo Winner for Best Long Form Dramatic Presentation

And this is it; the last of the Hugo winning dramatic presentations. Fifty years worth of SF media leads to this, a fine addition to a body of pretty good and usually rather popular titles.

Stardust was easily my favorite SF film of last year. It's not perfect, there's some structural flaws with it, but the production design was superb and it retained a great deal of the charm of author Neil Gaiman's writing.

The small English village of Wall is named for the ancient wall that runs near it and they maintain a guard over the one gap in it. An adventurous young man sees a shooting star land somewhere past the wall so to impress a girl who has insisted on getting the star for a birthday present he slips through the gap.

On the other side of the wall, however, is a magical kingdom that is hidden from view. This kingdom does not follow normal heredity rules of the first born son taking the throne, instead it is the last surviving son encouraging conspiracy and murder among the princes of the realm. Unfortunately for the dying king his sons were too crafty for their own good and on his death bed he is left with four of them. Rather than select one he casts one of the crown jewels into the heavens declaring that which ever prince recovers it will be king.

When our adventurous young man finds the fallen star he discovers it is in fact a beautiful woman who had been knocked out of the sky by the king's jewel. A promise is a promise, however, and the young man attempts to drag the star home to his would be girlfriend.

And adding complications to that are a trio of ancient crones who want the star so they can regain their youth. Naturally whirlwind fairy tale style adventures ensue.

That's a lot more summery than I usually give and that's because this movie is dense. There's a lot of things happening and to their credit director and screenwriter Matthew Vaughn manage to juggle them all admirably. The complications arise when it seems as though he doesn't trust the audience enough to remember a plot point; several times in the film it pauses to give exposition the viewer already knew. I read it more as studio executives meddling than a failure on the director's part but in the end they are disruptive.

I mentioned the production design before and my only complaint about it is that it doesn't look quite like original illustrator Charles Vess's designs. They did try, however, which mitigates that complaint quite a bit. This was not a big budget film and yet they managed to make the markets filled with wondrous stalls look lively, the castle of the witches look appropriately sharp edged and menacing, and the whole environment just magical in general.

The cast didn't wildly impress me, even Robert DiNiro in one of his "two days of work for a minor film" roles wasn't spectacular. On the other hand I was never annoyed with them. I was very entertained by the spectral princes who as they die one by one hover around to provide a greek chorus to events.

This film made me smile. It wasn't the perfect romantic fantasy comedy of The Princess Bride but it is very much in that same vein. It might not have gained much attention on release but I predict that Stardust will be a cult favorite for years to come.

Sunday, November 9, 2008

Review - "Dragonrider", "Mother to the World", and "The Planners"

1968 was the first time that the Hugo and Nebula winners completely diverged. As time went by this became more and more common. It's also the first time that I disliked all three winners.

It was also the height of the New Wave and the free love movement so you can guess what that means: ugly prose and bizarre sexual politics abound in these stories.

"Dragonrider"
by Anne McCaffrey
1968 Nebula Winner for Best Novella

You might recall when I reviewed "Weyr Search" I liked it even though I can't stand McCaffrey's books in general. It had a fairy tale quality to it so that despite the flaws there was a charm I appreciated: a hidden princess, a lost kingdom, and "magical" beasts added up. Unfortunately McCaffrey wasted no time in flushing that premise for one of the most annoying protagonists ever.

"Dragonrider" is roughly the last third of the novel Dragonflight and "Weyr Search" was the first third. The middle third was never placed in a novella but it is referenced in "Dragonrider" just to stack the confusion for those fortunate enough to not read Dragonflight. The time has come for the killer spores to fall out of the sky but there aren't enough dragonriders left to protect an entire planet. Fortunately our heroine discovers how to time travel; a trick that has been overlooked from the beginning because it requires someone to remember the place they're going to rather than just going there. She also has special powers that no one else has, has found true love with the greatest warrior in the world as her first sexual experience (who's also a sensative man), summons a deus ex machina, and does all of this with no real effort on her part.

I hated both of the protagonists. They're painted in the broadest of possible strokes (he's the good guy, she's the spunky love interest) with what McCaffrey spells out in the text but anyone examining things closely sees the unintentional ugliness of the characters. Thanks to time travel they learn that one of the plans they are forming will have some mild success but kill a good friend. There's some inherent drama right there; having to send a good man to a lengthy, horrible death to avoid breaking causality. So naturally McCaffrey ignores that and our heroes giggle about their prescience knowledge as they send him into years of torment and eventual death. I can't say it made me hate the protagonists since I already did but it cemented those feelings.

I'm going to follow my self-imposed rule of no spoilers but I will say that the conclusion of the story is clearly intended to be a "happy ending". I, on the other hand, was left with the chilling realization that they've triggered a political upheaval that is going to kill thousands (potentially millions) and could let the world turn to ash in its wake.

That's the problem at the heart of "Dragonrider": McCaffrey didn't understand the consequences of the story she was telling. When that story is an epic world spanning adventure it introduces problems like reqiring every single person involved with the dragons for centuries to be complete morons. If the reader doesn't get swept up by the idea of fighting on dragon back then there's going to be left questioning why things are so screwy.

Ironically while writing this someone pointed out something that summed up my feelings on the story much more briefly.

"Mother to the World"
by Richard Wilson
1968 Nebula Winner for Best Novelette

A middle aged man and a mentally handicapped woman are the only survivors of a war that used a biological weapon to kill every other person on Earth. They get around to the work of repopulating it.

I'm going to give Wilson the benefit of the doubt and say that he recognized just how disturbing the premise is. In my case he was unable to overcome the premise. All I could see while reading "Mother to the World" was that the survival of the human race depended on an abusive relationship. It was unpleasant to read about these characters.

Unfortunately there is little else to the story than them. It's reasonably well told alternating between diary entries and prose though there is a clumsy misstep where Wilson inserts the new Eve's diary entries with commentary from an unknown source that does not enter the story before or after. Also for people who have chosen to do the needful with regard to repopulating the Earth they don't actually appear to work at very hard. That kind of thing just adds mixed signals to a story that is more troubling than interesting.

"The Planners"
by Kate Wilhelm
1968 Nebula Winner for Best Short Story

Speaking of thoroughly unlikable characters, this story features a doctor who is working on an intelligence enhancing project and his fantasy life. Really, that's it for the story; there is no narrative arc, it just drifts between his real life and his fantasy. He is dealing with SPCA protests against his research on monkeys and a wife that he's become distant with but these elements are poorly explored and not really resolved.

I had a major problem with the prose in this story; Wilhelm drifts back and forth between fantasy and reality with no transitions either way and the result was I often was flipping back because I thought I missed a characters or vital plot element. As a result I was consistently pulled out of the story.

In addition the main character is more creepy than interesting. The constant diversion into his woman hating sexual fantasies is just unpleasant. The net result was to make me wish that I hadn't read the story.

Friday, November 7, 2008

Review - Doctor Who: "The Empty Child", "The Doctor Dances", "Girl in the Fireplace", and "Blink"


Doctor Who: "The Empty Child" and "The Doctor Dances"
2006 Hugo Winner for Best Short Form Dramatic Presentation

Doctor Who: "Girl in the Fireplace"
2007 Hugo Winner for Best Short Form Dramatic Presentation


Doctor Who: "Blink"
2008 Hugo Winner for Best Short Form Dramatic Presentation


I'm not British and yet somehow I managed to find Doctor Who at a young age. When I was a child I happened to stumble onto a local PBS station broadcasting the second serial, "The Daleks", and over the course of several years managed to watch the entire series through at the rate of about one serial a week. It never overwhelmed my life like some other SF media did mainly due to the isolation (I never encountered anyone else who watched Doctor Who during that time), but I was a faithful fan even when I was old enough to recognize the tour of British quarries. I found the show right when I was in the sweet spot for its target audience of children.

Flash forward a few decades and there's an announcmenet that a new Doctor Who series was in development. I wasn't enthusiastic about it mainly because revivals of old SF shows have a rather shoddy track record.

And yet this time it worked. The show was a note perfect contiuation of the original series; a light and fluffy SF adventure series that was perfectly willing to show some goofy charm. And by casting some wonderfully charismatic actors the new series has sparked a revival which is rivaled only by Star Trek: The Next Generation for success.

The premise of the show is that the Doctor is the last of a species of time travelling immortals who were wiped out in a cosmic war. He has taken a liking to late twentieth/early twenty-first century Earth where he regularly has adventures. The Doctor is inevitably followed by a human companion who assists him as he confronts strange alien threats.

The four episodes that have won the Hugo award were all written by Steven Moffat and easily rank among the greatest episodes of the new series. In the two part episode "The Empty Child" and "The Doctor Dances" they travel to London during the Blitz and encounter a lost boy who has a gasmask permanently attached to his face. Those who come into contact with this boy are transfigured into gasmask faced zombies who cry out for their mother.

"The Girl in the Fireplace" has the Doctor and his companion find a space ship run by clockwork robots who have opened windows through time to various points in the life of Madame Pompadour. The Doctor protects her throughout her lifetime from these clockwork robots that seek to abduct her back to their ship.

Finally in "Blink", easily my favorite episode of the new series, there are creatures who look like stone statues that can only move when no one is looking at them and cause anyone they touch to vanish. The Doctor is missing throughout most of the episode but communicates in mysterious hidden messages from the past to the episode's protagonist.

If you attempt to examine any of these concepts too closely they're ludicrous but Doctor Who as a series is solidly and unashamedly a space opera; the strange creatures and adventures are evocitive rather than realistic. On some shows this would be annoying but Doctor Who always has a manic energy even in dark, spooky episodes like Moffat specializes in.

That atmosphere is what makes these shows so effective. The a hospital during Blitz, the court of Louis XV, and a house haunted by statues that move when the camera is not on them are well represented. In fact those statues in "Blink" are so well done that I'm positive it will be remembered as one of the great childhood traumas for children who are under ten right now. These episodes stick with you thanks to some spectacular visual stylings.

There is only one other television series to win three Hugo awards: The Twilight Zone. I strongly suspect that the series will continue to win the award mainly since there weren't many challengers last year on television. "The Unicorn and the Wasp" was my favorite episode of last year but I would not be surprised to see Moffatt continue to walk away with Hugos for many years to come.

Monday, November 3, 2008

NaNoWriMo Update...

I'm just over ten thousand words into my NaNoWriMo novel and I have to say it is exhausting. I've never been one to call writing easy but trying to push out a story from a sense of obligation is tough. Trying to maintain a high writing pace means abandoning any semblance of polish. While I may be wordy, my narrative voice is closer to Hemingway than Dickens in terms of word count. It makes the process an interesting challenge.