Thursday, November 27, 2008

Lady Cottington's Pressed Fairy Book by Brian Froud

Lady Cottington's Pressed Fairy Book
Illustrations by Brian Froud, Text by Terry Jones
1995 Hugo Winner for Best Original Artwork

Usually the author is listed first but since the Hugo was for the artwork I decided to flip things. And that is Terry "Monty Python" Jones as the author of the text.

The book purports to be a reproduction the diary of a young girl who rather than pressing flowers like other Victorian era young ladies pressed fairies. She sneaks up on them as the frolic and slam the book on them to keep them. It's just as strange as one might expect from that description.

But what about the art from it?


Monday, November 24, 2008

Twenty Years Ago Today a Man and Two Robots Started Watching Bad Movies...

Geez, has it been twenty years?

On November 24, 1988 the tiny Minneapolis UHF station KTMA aired some filler featuring local comedians talking over bad movies and making fun of them. It was not the first time something like this had been done but for whatever reason it got the attention of executives of the just forming Comedy Channel and they went national next year. And so Mystery Science Theater 3000 was born leading to a vast movie riffing empire that continues to this day.

In honor of MST3K-day I'm going to watch the Rifftrax of The Happening (I saved a really stinky one for the show's birthday), and point out my favorite episodes from each of the ten seasons it aired nationally:

  • Season 1 - Project Moonbase - The production was rougher than even the minimal standards of later years, the cast would change immediately going into season 2, and yet the humor was already there. And how can I select anything other than the one episode written by Robert Heinlein.
  • Season 2 - Rocket Attack USA - Besides being the episode where the stinger concept came from (the blind man wandering the streets during the nuclear panic saying "Help me" in as dead of monotone as you can make inspired them), it was also the first episode I ever watched. The ending must be seen to be believed.
  • Season 3 - War of the Collossal Beasts - The production values hit their stride and just about any of the episodes from this point on could be selected as that season's greatest. I have to give the nod to War of the Collossal Beasts, though, not for the main episode but instead for the short: "Mr. B. Natural". The andogynous musical pixie would haunt MST3K fans nightmares for years to come.
  • Season 4 - Manos: The Hands of Fate - The season with Ed Wood, Monster-A-Go-Go, Killer Shrews, and "Tor-cha!" but can there be any choice other than the most infamous film ever featured on the show. Who can forget how the haunting Torgo's Love Theme rocketed to number one on the charts as a result.
  • Season 5 - Mitchell - The episode where they arrest Harlan Ellison ("Good!"). Oh and original host Joel escapes to be replaced by the series's head write Mike thus triggering the second eternal Internet flame war (right after Kirk v. Picard).
  • Season 6 - Red Zone Cuba - Even with the hysterically funny mirror universe episode (Last of the Wild Horses) the nod has to go to one of the Coleman Francis trilogy; one of the great finds of MST3K his directing career will now live forever.
  • Season 7 - Laserblast - Coming to the end of the run on Comedy Central I have to go with Laserblast as both an astoundingly bad movie and the end of an era.
  • Season 8 - Space Mutany - Revived at the scifi channel but under a narrower mandate: only science fiction and fantasy films and no shorts, they showed that they could survive a network jump intact. Space Mutany stands out that year as an attempt to do a space opera in the same way that rock bands in the 1970's attempted to do opera: loud, with borrowed features, and poorly.
  • Season 9 - Hobgoblins - The chain was loosened and other genres started slipping in including this horror film which couldn't scare anyone.
  • Season 10 - Squirm - The second to last episode is one of my favorites since I have a certain fondness for the 1970's animals go crazy and kill people horror subgenre (a surprisingly deep one, too). This time it's earthworms and it's paired with one of the greatest shorts that they've ever used: "A Cast of Spring Fever" where a man wishes for a world without springs and quickly repents of it.

Sunday, November 23, 2008

Review - "Fast Times at Fairmont High", "Hell is the Absence of God", and "The Dog Said Bow-Wow"

Michael Whelan
2002 Hugo Winner for Best Professional Artist

This is an odd year of winners for one major reason: I do have a single bad thing to say about any of the winners. For those who want a quick review that's it; these are not only stories worth reading but stories that you need to read.

I read "Fast Times at Fairmont High" in The Hard SF Renaissance, a massive anthology of hard SF stories that contains a lot of interesting stories especially if you enjoy SF about big ideas. "Hell is the Absence of God" was in the single author anthology The Stories of Your Life and Others which contained every single published story by Ted Chiang up to that point and for that reason alone needs to be on your bookshelf. Finally "The Dog Said Bow-Wow" can be found in the conveniently titled single author anthology The Dog Said Bow-Wow.

"Fast Times at Fairmont High"
by Vernor Vinge
2002 Hugo Winner for Best Novella

Thanks to a blurb at the front of the novel Rainbows End I had been under the impression that "Fast Times and Fairmont High" was an early version of a few chapters of that novel.

I was wrong.

It definitely is an eary version of some of the things in Rainbows End, but beyond sharing the names of a few characters and featuring a few of the same technologies it is a very different story. At the same time it shares almost all of the strengths of the novel. The book that eventually emerges has more well defined characters but the story is not lacking in quality.

In the not too distant future the ability to process vast amounts of information has radically transformed society. Students commute virtually across country to attend high school. Custom smart drugs are available that can do astounding things but only for the person they're made for. People's view of the world is constantly altered to match what they are looking for. And against this backdrop high school students are working on their exams by seeking to create something of value for their school. A weak student who has been cheating with brain enhancers and a brilliant student join forces for one of the tests where more than one secret may be revealed to the world.

Just like Rainbows End this story hits all of Vinge's strong points. And just like Rainbows End its flaws are so minor that it is not worth mentioning them. And just like Rainbows End I recommend seeking out this story and reading it; if you've enjoyed any of Vinge's work then it is well worth the effort.

"Hell is the Absence of God"
by Ted Chiang
2002 Hugo Winner for Best Novelette

Since Chiang is a short story author and since this is the first Hugo he received (though not the first I reviewed) I want to say a few words about him. He is, by percentage, the most honored science fiction author in world. He has published ten stories and won the Hugo and Nebula six times. And that's with declining the nomination one year. That wouldn't mean much if Chiang's work was just popular instead of good but his stories are inevitably brilliant; perfect gems of writing.

The thing that impresses me the most with Chiang is that he is a verbal chameleon. Each story is unique in style, tone, and structure and they never strike false notes. Take "Hell is the Absence of God" since that's why we're here: Chiang writes it in a passive voice that despite breaking all of the traditional rules of good storytelling brings into focus the parable nature of the story. I suspect this is why Chiang only writes one story every two years: it just takes him that long to carefully craft perfection.

"Hell is the Absence of God" postulates a world where the evidence for something along the lines of Judeo-Christian theology is constantly around everyone. Angels manifest regularly leaving disasters and miracles in their wake. Occasionally a glimpse of heaven can be viewed where they pass and its beauty transfigures those who see it and sometimes hell can be viewed below the earth. Souls can be seen departing the dead and moving to their final destination; to heaven if its owner devoutly loves God and to hell to be apart from God for eternity if they don't.

Several people have their lives disrupted by the visitation of an angel: Neil loses his wife whose soul departs for heaven, a preacher whose mission centered on her lack of legs is given the limbs she never had, and a man who has been searching for meaning in life finds nothing has changed despite witnessing an angel. The story focuses on Neil's despair at his wife being taken by God and his necessity to learn to truly love God in order to rejoin her upon his death.

Chiang uses that framework to explore not just the theology of his posited world but modern theology. He also ties it together with an absolute stunner of an ending that is both shocking and inevitable at the same time. I've gushed enough; this is a story that you should read to get the full effect.

"The Dog Said Bow-Wow"
by Michael Swanwick
2002 Hugo Winner for Best Short Story

This was the worst of the three short fiction winners in 2002 but that is like noting an opal isn't quite as stunning a diamond or ruby.

In a distant, decadent future technology that is sufficiently advanced to be indistinguishable from magic is falling into decay. The systems that controlled much of it have turned against humanity and things have regressed to a kind of neo-Victorian style. A dog man joins with a petty thief in a scheme to gain access to the aristocracy and rob them blind.

This is a lively, fast paced adventure story that despite being setting heavy never feels bogged down by it like a lot of SF stories can be. It's the interesting characters who drive the tale and though I worked out the scheme immediately it didn't bother me. I can't call it brilliant but "The Dog Said Bow-Wow" was very enjoyable.

Friday, November 21, 2008

Fan Artists of the 2000's

I'm going to be finishing off a few more categories of Hugo winners in the next week or two so I will start with the two winners for Fan Artist who I have not mentioned yet.

Something I've been struck by as I went through this is how difficult it has been to find samples of most of the fan artists' work on the Internet. Even with the recent ones I have had trouble finding anything beyond a random sampling, the occasional fanzine cover, and a mention as a con attendee.

Sue Mason
2003 and 2005 Hugo Winner for Best Fan Artist

There are multiple artists by the name of Sue Mason which gave me a bit more trouble than usual in hunting her down. I did find cartoons drawn for different sources but she maintains a website for selling her custom pyrographic, wood burning, art. There's several interesting samples of her work at the site and it is worth taking a look at.

Frank Wu
2004, 2006, and 2007 Hugo Winner for Best Fan Artist



There is a very extensive gallery of Wu's work online. In addition to that there is, unlike the vast majority of fan artist, a book of his art available.

Monday, November 17, 2008

Review - Terraforming Earth, "Millennium Babies", and "Different Kinds of Darkness"

Bob Eggleton
2001 Hugo Winner for Best Professional Artist


If you're curious about my nanowrimo count at the moment it stands at 30026. I'm on the downhill slope now.

In 2001 the actual novella winner was "The Ultimate Earth" which is only available in the novel Terraforming Earth. The novelette "Millennium Babies" was in the single author anthology Stories for an Enchanted Afternoon. Finally "Different Kinds of Darkness" was found in the massive brick anthology The Hard SF Renaissance.

Terraforming Earth
by Jack Williamson

An expansion of the 2001 Hugo Winning and 2001 Nebula Winning Novella "The Ultimate Earth"


Like "...Where Angels Fear to Tread" before the novella "The Ultimate Earth" was printed once in a magazine and has never been collected since. It was, however, integrated into a novel. And once more since I cannot be sure of what changes were made I am briefly reviewing the entire book instead of just the section titled "The Ultimate Earth".

Also this is very much a tribute award. Jack Williamson published his first story in 1928 and remained active with science fiction until his death in 2006. Williamson's only previous award was a Hugo for his memoir Wonder's Child, so this was a Hugo and Nebula more for his body of work and longevity rather than the quality of the story.

Any yet Terraforming Earth wasn't bad. It started with an great premise and up to roughly a third of the way through the book I was impressed. Then the payoff didn't quite come but the book shifted to a pulpy tone that was still entertaining. Finally it concluded weakly but not terribly. The effect as a whole is disappointing but there are some things worth looking at.

In the not too distant future an eccentric billionaire devises a plan to insure the survival of the human race should an extinction event occur. He creates a base on the moon that can function indefinitely and begins storing genetic samples there. Before it is finished, however, an asteroid miles across enters the solar system from interstellar space on a trajectory toward earth that hides it until there is only a few days left. A handful of people escape to the moonbase where they prepare to clone themselves so that a new generation would be born over and over at moments to guide the reconstruction of the Earth.

Terraforming Earth follows nearly a dozen of these generations across millions of years. They're born and witness the earth at transition points, find that the Earth was murdered, and deal with their personal conflicts. The result is a set of linked stories that move quickly from period to period eventually leading to a pulp adventure where the clones face an evil empire of their descendants and a Cambellian story of the apotheosis of humanity.

As I mentioned I was taken with the premise from the beginning. The idea of generations of identical humans being born on the moon and the variations in their behavior through their unique experiences was intriguing to me. Coupling that with a plot of restoring the earth to life across millenia and I was hooked. Williamson follows on this for a little while but eventually things fall into a simple pattern. One person's clone consistently betrays the colony, they never attempt major variations in teaching or cloning multiple copies of the same person (something that always leads to a gender imbalance that affects the clones). No one lives to old age studying the effects and refining their methodology for better or worse. By the time it changes to a more pulpy adventure story it was a welcome change of pace even when it was not as strong as the original concept.

The characters Williamson creates are painted in broad strokes but it was effective for the purposes of displaying the similarities and differences when there were a dozen characters that were genetically identical. It did bother me that female characters were downplayed, there were two female scientists among the clones who do little more than hang off of their chosen lover.

By the time it was over I disappointed that the premise that I was enjoying had been lost for something weaker. If you're interested in the concept of generations of terraforming then you may find something worth reading about in Terraforming Earth.

"Millennium Babies"
by Krsitine Kathryn Rusch

2001 Hugo Winner for Best Novelette


Now for another chapter in the "It just bugs me" saga: it just bugs me when authors pander to their audience by creating characters who are Luddites for the period when the story is written. The most common example of this are people in a future where data readers will be a more efficient option going on about how great normal books are. Late twentieth century pop culture lives on through them even though the rest of the world has changed. Occasionally it goes so far that the future culture is presented as something ridiculous so that the Luddite main character that the reader is to identify with is clearly "right". It goes without saying that stories that present science fiction fans as better than other characters fall firmly under this (though that's a sin that "Millennium Babies" didn't commit). It's just pandering to the audience and being pandered to gets on my nerves quickly.

Thousands of people around the world got pregnant in March of 1999 with the intention of trying to have the first child born on January 1, 2000. Thirty years later the daughter of one of those women has come to resent her mother for considering the daughter a failure due to being born at 12:05 am instead of 12:01. A psychology professor interested in the consequence of being a failure from the moment of birth brings hundreds of these children together for a study and (for no conceivable reason) to work out their parental issues.

This story I hated. It's built on the premise that there's hundreds of people who have been wallowing in self-pity due to the time of their birth. Not just how their parents treated but them they've been obsessing over the exact second they left their mother's womb for thirty years. And they're suppose to be sympathetic rather than driving me to want to slap all of them senseless. And for no good reason as part of the psychological experiment the psychologist makes a minimal effort that somehow makes them get over it instantly.

It's trite at best. The story and characters are annoying and there isn't a thing here that was worth reading about. Actively avoid this story.

"Different Kinds of Darkness"
by David Langford

2001 Hugo Winner for Best Short Story


Children at a school live with mysterious patches of darkness which no light penetrates. Every unenclosed outdoor area and many sections of their school are filled with this gloom. A group of them find an inkblot like pattern behind the school's photocopier that cause anyone who views it to have muscle spasms and pain. They form a club daring each other to look at the pattern for longer and longer periods.

Langford isn't the first one two write about the concept of certain images being harmful to the human mind but he used it very effectively in "Different Kinds of Darkness". Children not recognizing the danger and using it as a plaything is exactly the kind of reaction I would expect in the situation. While I did not find the conclusion of his plot to be as effective I still enjoyed the story.

Saturday, November 15, 2008

The Dramatic Presentation Hugo In Review

The Hugo award has for dramatic presentation has been awarded exactly fifty times. Once it was awarded for an outstanding movie and that award became the dramatic presentation category to include other media.

So having collected all of the films and television shows that have won I have to say it's an impressive list:

1958 - The Incredible Shrinking Man
1960 - The Twilight Zone
1961 - The Twilight Zone
1962 - The Twilight Zone
1965 - Dr. Strangelove
1967 - Star Trek: "The Menagerie"
1968 - Star Trek: "City on the Edge of Forever"
1969 - 2001: A Space Odyssey
1970 - News coverage of Apollo XI
1972 - A Clockwork Orange
1973 - Slaughterhouse-Five
1974 - Sleeper
1975 - Young Frankenstein
1976 - A Boy and His Dog
1978 - Star Wars
1979 - Superman
1980 - Alien
1981 - The Empire Strikes Back
1982 - Raiders of the Lost Ark
1983 - Blade Runner
1984 - Return of the Jedi
1985 - 2010
1986 - Back to the Future
1987 - Aliens
1988 - The Princess Bride
1989 - Who Framed Roger Rabbit
1990 - Indiana Jones and the Last Crusade
1991 - Edward Scissorhands
1992 - Terminator 2
1993 - Star Trek: The Next Generation: "The Inner Light"
1994 - Jurassic Park
1995 - Star Trek: The Next Generation: "All Good Things"
1996 - Babylon 5: "The Coming of Shadows"
1997 - Babylon 5: "Severed Dreams"
1998 - Contact
1999 - The Truman Show
2000 - Galaxy Quest
2001 - Crouching Tiger, Hidden Dragon
2002 - The Lord of the Rings: The Fellowship of the Ring
2003 - The Lord of the Rings: The Two Towers and Buffy the Vampire Slayer: "Conversations with Dead People"
2004 - The Lord of the Rings: The Return of the King and Gollum's Acceptance Speech at the 2003 MTV Movie Awards
2005 - The Incredibles and Battlestar Galactica: "33"
2006 - Serenity and Doctor Who: "The Empty Child" and "The Doctor Dances"
2007 - Pan's Labyrinth and Doctor Who: "Girl in the Fireplace"
2008 - Stardust and Doctor Who: "Blink"

For the most part they're safe choices but that isn't a bad thing since most of the movies are reasonably good. I might not think they're the best film of that year for the most part but I don't hate them.

There's really only six awards on the list where I think a bad decision was made and most of them took the Hugo because of their connection to something better that was beloved by fandom. The six I don't care for are:
  • Slaughterhouse-Five (from a much superior Vonnegut book)
  • A Boy and His Dog (from a better Harlan Ellison novella)
  • 2010 (sequel to 2001)
  • Contact (from the Carl Sagan novel and released shortly after his death)
  • Buffy the Vampire Slayer: "Conversations with Dead People" (the introduction of the short form dramatic presentation Hugo opened the door to television again but years after the show actually deserved to win)
  • Gollum's Acceptance Speech at the 2003 MTV Movie Awards
Thanks to the acceptance speech Hugo Peter Jackson is the most honored creator in Hugo history with four awards for his efforts in adapting The Lord of the Rings. George Lucas (the original Star Wars trilogy), Steven Moffat (writer of the Dr. Who episodes that have won), Rod Serling (Twilight Zone), Robert Zemekis (Back to the Future, Roger Rabbit, and Contact), Stanley Kubrick (Dr. Strangelove, 2001, and Clockwork Orange) and Stephen Speilburg (Raiders, Last Crusade, and Jurrasic Park) tie at three Hugos each. There's so many people tied at two Hugos that I can't list them all, but I will note Gene Roddenberry who died before the winning Next Generation episodes were made.

Friday, November 14, 2008

Review - Stardust

Stardust
2008 Hugo Winner for Best Long Form Dramatic Presentation

And this is it; the last of the Hugo winning dramatic presentations. Fifty years worth of SF media leads to this, a fine addition to a body of pretty good and usually rather popular titles.

Stardust was easily my favorite SF film of last year. It's not perfect, there's some structural flaws with it, but the production design was superb and it retained a great deal of the charm of author Neil Gaiman's writing.

The small English village of Wall is named for the ancient wall that runs near it and they maintain a guard over the one gap in it. An adventurous young man sees a shooting star land somewhere past the wall so to impress a girl who has insisted on getting the star for a birthday present he slips through the gap.

On the other side of the wall, however, is a magical kingdom that is hidden from view. This kingdom does not follow normal heredity rules of the first born son taking the throne, instead it is the last surviving son encouraging conspiracy and murder among the princes of the realm. Unfortunately for the dying king his sons were too crafty for their own good and on his death bed he is left with four of them. Rather than select one he casts one of the crown jewels into the heavens declaring that which ever prince recovers it will be king.

When our adventurous young man finds the fallen star he discovers it is in fact a beautiful woman who had been knocked out of the sky by the king's jewel. A promise is a promise, however, and the young man attempts to drag the star home to his would be girlfriend.

And adding complications to that are a trio of ancient crones who want the star so they can regain their youth. Naturally whirlwind fairy tale style adventures ensue.

That's a lot more summery than I usually give and that's because this movie is dense. There's a lot of things happening and to their credit director and screenwriter Matthew Vaughn manage to juggle them all admirably. The complications arise when it seems as though he doesn't trust the audience enough to remember a plot point; several times in the film it pauses to give exposition the viewer already knew. I read it more as studio executives meddling than a failure on the director's part but in the end they are disruptive.

I mentioned the production design before and my only complaint about it is that it doesn't look quite like original illustrator Charles Vess's designs. They did try, however, which mitigates that complaint quite a bit. This was not a big budget film and yet they managed to make the markets filled with wondrous stalls look lively, the castle of the witches look appropriately sharp edged and menacing, and the whole environment just magical in general.

The cast didn't wildly impress me, even Robert DiNiro in one of his "two days of work for a minor film" roles wasn't spectacular. On the other hand I was never annoyed with them. I was very entertained by the spectral princes who as they die one by one hover around to provide a greek chorus to events.

This film made me smile. It wasn't the perfect romantic fantasy comedy of The Princess Bride but it is very much in that same vein. It might not have gained much attention on release but I predict that Stardust will be a cult favorite for years to come.